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Chapter 4- Remembrance of Things Past: The Ongoing Campaign to Make The Royals Great Again
The loaded title of this chapter reinforces a theme Scobie introduced back in Chapter 1- that the Royal family relies on a form of cheap patriotism closely related to bigoted ideas to stay relevant. In Chapter 1, he said "To stay relevant, the system, in an almost Trumpian twist, leans on patriotism—even jingoism—to shore up its purpose. When in doubt, festoon the palace, unfurl the Union Jacks, and enlist the tabloids." Personally, I have always felt that the WWII-era patriotism usually invoked by the monarchy is more about pulling together than it is dividing people apart and Scobie acknowledges this when it comes to the reign of the late Queen. He described her strategy in a way I agree with, saying "the Queen and her advisors transformed the monarchy’s image from a regal manifestation of empire and preeminent influence to a domestic expression of continuity, civic obligation, and enigmatic “Britishness.” He doesn't believe that this transfers at all into the King's reign, and compares the rest of the family to soap opera tabloid stars. He also believes that the monarchy "overdosed" on the power of nostalgia and patriotism and came to rely on it exclusively. He uses that to transition to some more talking points about Prince Harry.
Here are the two big quotes that jumped out at me in this section:
"Prince Harry found purpose in serving his country in the military, an unquestionably honorable thing to do, but it’s worth mentioning that his time in uniform also gave his “bad-boy” tabloid image a much-needed “for the Mother Country” makeover. While Harry served, the Palace heavily leaned on the young prince’s time on the battlefield in Afghanistan for a boost of its own."
"The Firm considered it a PR win to have one of its own on the front lines. "There was a certain amount of pressure put on Harry by the institution to please the press in that situation," a source said. "It wasn’t his choice to carry out interviews, but he was told it was the right thing to do.' Thanks to those interviews, the world discovered that Harry personally killed several Taliban fighters, a revelation that made the front pages of every newspaper at the time."
Essentially, this chapter accuses the royal family of pushing Prince Harry to the frontlines for good press, forcing him to work with the papers, and thus making him reveal something that puts his security at risk to this day- a pretty strong argument to make for someone who, say, wants to justify their right to have their security costs funded. I very much believe that this chapter was mostly written to make these points.
The chapter then talks again about how Charles will never be as popular as his mother and uses as an example that the Platinum Jubilee was able to book more super star performers than the coronation concert- without acknowledging that of course, the Platinum Jubilee date could be selected years in advance and talks about how William and Kate are getting old and boring: "As older millennials in their early forties, William and Kate should still have some vitality to offer, but many of their overtures—such as their rather stiff guest appearances for BBC Radio 1 and its fifteen-to-twenty-nine-year-old audience—may start to come off as slightly contrived."
The loaded title of this chapter reinforces a theme Scobie introduced back in Chapter 1- that the Royal family relies on a form of cheap patriotism closely related to bigoted ideas to stay relevant. In Chapter 1, he said "To stay relevant, the system, in an almost Trumpian twist, leans on patriotism—even jingoism—to shore up its purpose. When in doubt, festoon the palace, unfurl the Union Jacks, and enlist the tabloids." Personally, I have always felt that the WWII-era patriotism usually invoked by the monarchy is more about pulling together than it is dividing people apart and Scobie acknowledges this when it comes to the reign of the late Queen. He described her strategy in a way I agree with, saying "the Queen and her advisors transformed the monarchy’s image from a regal manifestation of empire and preeminent influence to a domestic expression of continuity, civic obligation, and enigmatic “Britishness.” He doesn't believe that this transfers at all into the King's reign, and compares the rest of the family to soap opera tabloid stars. He also believes that the monarchy "overdosed" on the power of nostalgia and patriotism and came to rely on it exclusively. He uses that to transition to some more talking points about Prince Harry.
Here are the two big quotes that jumped out at me in this section:
"Prince Harry found purpose in serving his country in the military, an unquestionably honorable thing to do, but it’s worth mentioning that his time in uniform also gave his “bad-boy” tabloid image a much-needed “for the Mother Country” makeover. While Harry served, the Palace heavily leaned on the young prince’s time on the battlefield in Afghanistan for a boost of its own."
"The Firm considered it a PR win to have one of its own on the front lines. "There was a certain amount of pressure put on Harry by the institution to please the press in that situation," a source said. "It wasn’t his choice to carry out interviews, but he was told it was the right thing to do.' Thanks to those interviews, the world discovered that Harry personally killed several Taliban fighters, a revelation that made the front pages of every newspaper at the time."
Essentially, this chapter accuses the royal family of pushing Prince Harry to the frontlines for good press, forcing him to work with the papers, and thus making him reveal something that puts his security at risk to this day- a pretty strong argument to make for someone who, say, wants to justify their right to have their security costs funded. I very much believe that this chapter was mostly written to make these points.
The chapter then talks again about how Charles will never be as popular as his mother and uses as an example that the Platinum Jubilee was able to book more super star performers than the coronation concert- without acknowledging that of course, the Platinum Jubilee date could be selected years in advance and talks about how William and Kate are getting old and boring: "As older millennials in their early forties, William and Kate should still have some vitality to offer, but many of their overtures—such as their rather stiff guest appearances for BBC Radio 1 and its fifteen-to-twenty-nine-year-old audience—may start to come off as slightly contrived."