From reliable sources I have heard that Berenberg Gossler's papers are not enough for a book.
On the subject of basing information on an interview, that is exactly what Kurth did with the 'she is similar' speech attributed to Irene(page 57 and often quoted). I looked in the footnotes, and the only source was an 'interview with Prince Frederick' who as we all know was an eccentric supporter of AA. So, these quotes may well be inaccurate.
Yes, but when you read Kurth, you will see that every little detail is substantiated in one way or another. And he did not burn his papers afterwords.
I also noticed that where he did, on page 51 , quote the statement (severely edited version) by Irene declaring AA not her niece, he gave the source as, guess what? La Fausse Anastasie!
And aren't you the one who a couple a days ago complained about Kurth not including "damaging evidence?"
This means two things: he did have the book and use it but chose to leave out other bits of info that made AA look bad such as the chased by thugs to Paris storyline and the face altering apparatus.
And you know what? He left it out because there is no other claim that supports it. Absolutely none. Therefore, it seems that Gilliard and Savich made it uo.
So Chat's claims that everything in La Fausse is a lie because its authors are liars, and that the info in it no longer exists, is not true because obviously Kurth used them for the book- unless he was using only La Fausse, which Chat claims is all lies and nothing in it can be proven now that Gilliard burned his records. So again, we have convenient 'cherry picking' of evidence based on how beneficial it is to AA.
I have not claimed that "everything in the book is a lie", please read my posts carefully. What I claim, is that nothing in the book can be substantiated because the author burned his files!
I also noticed more details of the 'escape' story which directly contradict the versions originally told by Clara and Von Kliest. On page 34 she claims not to have even wanted to see the child when it was born and to have given it directly to the Tchaikovsky family./quote]
That seems to be the correct version.
The story changed to that after the death of her husband she came directly to Berlin in the company of the dead husband's brother Serge, but he disappeared (imaginary friends have a way of doing that)
He did not "disappear". She went down to his room to look for him, but he was not there. She then wandered out in the streets, and we know the rest.
So that makes the entire trip to Paris chased by bogeymen a very different story. Why did it change so drastically? Clearly, this story was false from the beginning, and kept being changed, added to and subtracted from as new ideas and new imput became available. When all she had to talk to was Clara, just as nutty as she was, the story was more wild, but talking to others made her change the details to something more sympathetic and acceptable. This makes me even more sure that there was a lot of intentional invention going on and she was well aware of what she was doing.
Invention was going on for sure. Between Clara and Kleist and Gilliard and Savich, they managed to make a great mess of this. Too bad the evidence went in the fire, or we would have been able to see who made the worst mess.